Learn with Music · B1 · soft rock / new wave · British (England)

Learn English with "Every Breath You Take" by The Police

Wait until the end for the complete summary: all 21 learning cards are grouped by category in the workbook.

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If you want to know more: the story of Every Breath You Take

Sting wrote Every Breath You Take in 1982, not long after separating from his first wife, the actress Frances Tomelty, and at the start of his relationship with Trudie Styler — who, in one of pop music's odder coincidences, had been Tomelty's close friend. Wanting to escape the pressure of the breakup and the band's punishing schedule, Sting retreated to Goldeneye, the Jamaican estate once owned by James Bond author Ian Fleming, where he woke in the middle of the night with the song's central line already forming and wrote the rest at the piano within the hour.

The Police released it as a single on 20 May 1983, ahead of their fifth and final studio album, Synchronicity, which followed on 17 June 1983. It became the band's biggest hit by far: eight weeks at number one on the US Billboard Hot 100, two weeks atop Canada's RPM chart, and a fourth spell at number one in the UK — the band's fifth chart-topper there. Billboard later named it the best-selling single of 1983.

At the 26th Annual Grammy Awards in February 1984, the song won Song of the Year and Best Pop Performance by a Duo or Group with Vocal. Sting wasn't there to collect either trophy — the Police were on tour in Australia — so Bob Dylan and Stevie Wonder accepted Song of the Year on his behalf.

Guitarist Andy Summers' rippling, arpeggiated guitar figure is as much a part of the song's identity as the vocal melody; Summers has said plainly, 'Without that guitar part there's no song,' and drummer Stewart Copeland has credited him with finding the exact shape that ties the whole arrangement together.

Despite its gentle, romantic surface, Sting has repeatedly explained that the lyric is not a love song at all. He has called it 'a nasty little song, really rather evil,' built around jealousy, surveillance and possessiveness rather than devotion — a duality that still surprises people who have heard it played at weddings for over forty years.

The black-and-white music video, directed by Godley & Creme and inspired by the 1944 jazz short film Jammin' the Blues, won cinematographer Daniel Pearl the very first MTV Video Music Award for Best Cinematography at the inaugural ceremony in September 1984 — and by 2022 had passed one billion views on YouTube, decades after its original release.

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Everything this song teaches you

Grammar Hack

Every + singular noun

Every normally modifies a singular countable noun: every breath, every move, every step. The following verb is singular when that phrase is the subject.

Grammar Hack

Parallel relative clauses

The repeated noun phrases contain compact defining clauses: the breath you take, the move you make. The object relative pronoun that is omitted.

Vocabulary & Phrasal Verbs

Take, make and break

The hook contrasts common collocations: take a breath or step, make a move, and break a vow. Collocations must be learned as combinations, not translated word by word.

Vocabulary & Phrasal Verbs

A vow is stronger than a promise

A vow is a solemn promise, especially in marriage or a formal commitment. Break a vow means fail to honour it.

Grammar Hack

I'll be watching: future continuous

Will be + -ing presents an activity continuing around a future time. In context, the repeated watching sounds persistent rather than simply predictive.

Grammar Hack

Every single intensifies every

Single adds emphasis: every single day means every day without exception. It is emphatic but common in conversation.

Grammar Hack

Can't you see? A negative question

Negative questions can express surprise, criticism or an expectation of agreement. Their force depends strongly on tone and context.

Vocabulary & Phrasal Verbs

Belong to: possession and relationships

Belong to normally expresses ownership or membership. Applied to a person, it can sound romantic, possessive or controlling depending on context.

Vocabulary & Phrasal Verbs

Heartache as a compound noun

Heartache means deep emotional pain, especially after romantic loss. It is usually uncountable: a lot of heartache, not many heartaches.

Grammar Hack

Repeated every creates totality

Listing every step and every move presents observation as complete and continuous. The grammar helps create the song’s unsettling sense of surveillance.

Cultural Backdrop

Romantic surface, surveillance narrative

The polished melody is often heard as romantic, but the language describes watching, ownership and control. This contrast is central to the song’s cultural interpretation.

Grammar Hack

Since + present perfect

Since introduces the starting point of a situation continuing to now. English commonly uses the present perfect after the separation: since you left, I have felt lost.

Slang & Idioms

Without a trace

Without a trace means leaving no sign or evidence. It is common in disappearance narratives: the files vanished without a trace.

Grammar Hack

The one I cannot replace

After the one, a defining relative clause identifies the person. The object pronoun can be omitted: the one (that) I cannot replace.

Vocabulary & Phrasal Verbs

Long for: strong desire

Long for means want someone or something deeply, often when it is absent or distant. It is more emotional and literary than ordinary want.

Grammar Hack

The negative question returns with greater pressure

On its return, the negative question still expects agreement rather than neutral information. Repetition makes the implied pressure more noticeable.

Vocabulary & Phrasal Verbs

Claim: a right asserted over something

A claim can be a statement said to be true or an asserted right to something. In a relationship context, claiming a person can sound strongly possessive.

Phonetics & Connected Speech

Watching you: linking across words

In connected speech, the final consonant of watching flows into the following vowel-like glide in you. Practise slowly before matching the sung rhythm.

Grammar Hack

The complete catalogue amplifies every

The late accumulation of breath, move, bond, step and claim makes every sound exhaustive. This is grammatical totality used as a rhetorical escalation.

Phonetics & Connected Speech

Final watching refrain: reduced but recognisable

In the outro, repeated words become more compressed. Track the stressed core of watching and the pronoun rather than expecting every consonant to remain equally clear.

Cultural Backdrop

No narrative release at the end

The song closes by repeating observation rather than resolving it. That circular structure supports the interpretation of fixation and control.